1. Occasion In Literature Meaning Examples
2. Definition Of Occasion In Writing
3. Occasions Meaning
4. Meaning Of Occasion In Literature
5. Occasion Definition English
6. Occasion In Literature Examples

Phrase If you say that someone rose to the occasion, you mean that they did what was necessary to successfully overcome a difficult situation. It was a big day and we rose to the occasion. See full dictionary entry for occasion. Major Literary Terms. Allegory - device of using character and/or story elements symbolically to represent an abstraction in addition to the literal meaning. Alliteration - the repetition of sounds, especially initial consonant sounds in two or more neighboring words (eg 'she sells sea shells').

Syllogism Definition

What is a syllogism? Here’s a quick and simple definition:

A syllogism is a three-part logical argument, based on deductive reasoning, in which two premises are combined to arrive at a conclusion. So long as the premises of the syllogism are true and the syllogism is correctly structured, the conclusion will be true. An example of a syllogism is 'All mammals are animals. All elephants are mammals. Therefore, all elephants are animals.' In a syllogism, the more general premise is called the major premise ('All mammals are animals'). The more specific premise is called the minor premise ('All elephants are mammals'). The conclusion joins the logic of the two premises ('Therefore, all elephants are animals').

Some additional key details about syllogisms:

• First described by Aristotle in Prior Analytics, syllogisms have been studied throughout history and have become one of the most basic tools of logical reasoning and argumentation.
• Sometimes the word syllogism is used to refer generally to any argument that uses deductive reasoning.
• Although syllogisms can have more than three parts (and use more than two premises), it's much more common for them to have three parts (two premises and a conclusion). This entry only focuses on syllogisms with three parts.

Syllogism Pronunciation

Here's how to pronounce syllogism: sil-uh-jiz-um

Structure of Syllogisms

Syllogisms can be represented using the following three-line structure, in which A, B, and C stand for the different terms:

1. All A are B.
2. All C are A.
3. Therefore, all C are B.

Another way of saying the same thing is as follows:

1. If A = B
2. and C = A
3. then C = B

Notice how the 'A' functions as a kind of 'middle' for the other terms. You could, for instance, write the syllogism as: C = A = B, therefore C = B.

Types of Syllogism

Over the years, more than two dozen different variations of syllogisms have been identified. Most of them are pretty technical and obscure. But it's worth being familiar with the most common types of syllogisms.

Universal Syllogisms

Universal syllogisms are called 'universal' because they use words that apply completely and totally, such as 'no' and 'none' or 'all' and 'only.' The two most common forms of universal syllogisms are:

• 'All A are B, and all C are A, so all C are B.' (This is the most common type of syllogism.)
  1. All mammals are animals.
  2. All elephants are mammals.
  3. Therefore, all elephants are animals.
• 'No A are B, and all C are A, so no C are B.'
  1. No mammals are frogs.
  2. All elephants are mammals.
  3. Therefore, no elephants are frogs.

Particular Syllogisms

Particular syllogisms use words like 'some' or 'most' instead of 'all' or 'none.' Within this category, there are two main types:

• 'All A are B, and some C are A, therefore some C are B.'
  1. All elephants have big ears.
  2. Some animals are elephants.
  3. Therefore, some animals have big ears.
• 'No A are B, and some C are A, therefore some C are not B.'
  1. No doctors are children.
  2. Some immature people are doctors.
  3. Therefore, some immature people are not children.

Enthymemes

Enthymemes are logical arguments in which one or more of the premises is not explicitly stated, but is instead implied. Put another way: an enthymeme is a kind of abbreviated syllogism in which the writer presumes that the audience will accept the implied and unstated premise. For instance, the following statement is an enthymeme:

• 'Socrates is mortal because he's human.'

This enthymeme is an abbreviation of a famous syllogism:

1. All humans are mortal.
2. Socrates is human.
3. Therefore Socrates is mortal.

The enthymeme leaves out the major premise. It instead assumes that all readers will understand and agree that 'Socrates is mortal because he's human' without needing the explicit statement that 'all humans are mortal.'

Syllogistic Fallacies

A 'fallacy' is the name for a mistake in logic. Syllogisms often seem like very simple statements, but you may be surprised how often people make logical mistakes when trying to put together simple syllogisms. For example, it may seem logical to make a statement like 'Some A are B, and some C are A, therefore some C are B,' such as:

1. Some nice people are teachers.
2. Some people with red hair are nice.
3. Therefore, some teachers have red hair.

Each of these categorical propositions is, after all, true—but in fact the final proposition, while true in itself, is not the logical conclusion of the two preceding premises. In other words, the first two propositions, when combined, don't actually prove that the conclusion is true. So even though each statement is independently true, the 'syllogism' above is actually a logical fallacy. Here's an example of a false syllogism whose logical fallacy is a bit easier to see.

1. Some trees are tall things.
2. Some tall things are buildings.
3. Therefore, some trees are buildings.

The error in both of the above examples is called the 'fallacy of the undistributed middle,' since in each example the A is not 'distributed' across the B and C in such a way that the B and C terms actually overlap. Other types of syllogistic fallacies exist, but this is by far the most common logical error people make with syllogisms.

Syllogism Examples

Syllogisms appear more often in rhetoric and logical argumentation than they do in literature, but the following are a few of the more memorable examples of the use of syllogism in literature.

Syllogism in Timon of Athens by Shakespeare

In this passage from a lesser-known work of Shakespeare, titled Timon of Athens, the character Flavius asks Timon whether he has forgotten him. Timon responds with a syllogism.

Flavius: Have you forgot me, sir?
Timon: Why dost ask that? I have forgot all men;
Then, if thou grant’st thou’rt a man, I have forgot thee.

So the structure of Timon's syllogism is as follows:

1. All men are men that Timon has forgotten.
2. Flavius is a man.
3. Therefore, Flavius is a man that Timon has forgotten.

Syllogistic Fallacy in The Merchant of Venice by Shakespeare

In The Merchant of Venice, a beautiful, young woman named Portia is arranged to marry whomever can correctly guess which of three caskets contains her portrait: the gold, the silver, or the lead casket. A prince comes to solve the riddle, and thinks he has worked out the answer when he reads the following inscription on the gold casket:

“Who chooseth me shall gain what many men desire.”

Upon reading this inscription, the suitor immediately exclaims:

Why, that’s the lady. All the world desires her.

But he's mistaken; the gold casket does not contain the portrait of Portia. The suitor clearly thinks he has made a logical deduction using the structure of a syllogism:

1. All men desire Portia;
2. Many men desire what is in this chest;
3. Therefore what is in the chest is (the portrait of) Portia.

But this 'syllogism' is actually an example of the 'fallacy of the undistributed middle,' as we described above. In other words, it's the equivalent of saying 'some trees are tall, and some buildings are tall, so therefore some buildings are trees.'

Syllogism in 'Elegy II' by John Donne

The following poem by John Donne contains a syllogism, though Donne takes some liberties with language in putting his syllogism together:

All love is wonder; if we justly do
Account her wonderful, why not lovely too?

These lines could be translated into the structure of a syllogism like so:

1. All love is wonder.
2. She inspires wonder (or she is 'wonderful').
3. Therefore, she inspires love (or she is 'lovely').

Syllogism in 'To His Coy Mistress' by Andrew Marvell

If you look closely, you can see that this poem by Andre Marvell contains a subtle syllogism, scattered throughout the poem. Embedded in the beginning, middle, and end of the poem are the major premise, the minor premise, and the conclusion.

Occasion In Literature Meaning Examples

Had we but world enough and time,
This coyness, lady, were no crime.
We would sit down, and think which way
To walk, and pass our long love’s day.
Thou by the Indian Ganges’ side
Shouldst rubies find; I by the tide
Of Humber would complain. I would
Love you ten years before the flood,
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires and more slow;
An hundred years should go to praise
Thine eyes, and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.
For, lady, you deserve this state,
Nor would I love at lower rate.
But at my back I always hear
Time’s wingèd chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found;
Nor, in thy marble vault, shall sound
My echoing song; then worms shall try
That long-preserved virginity,
And your quaint honour turn to dust,
And into ashes all my lust;
The grave’s a fine and private place,
But none, I think, do there embrace.
Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may,
And now, like amorous birds of prey,
Rather at once our time devour
Than languish in his slow-chapped power.

You might translate the above as follows:

1. Being coy is fine so long as there's lots of time.
2. There isn't any time. (I can hear 'time's winged chariot' right behind me!)
3. Therefore, don't be coy. (We should be amorous 'while we may.')

Why Do Writers Use Syllogisms?

Writers use syllogisms because they're a useful tool for making an argument more convincing in persuasive writing and rhetoric. More specifically, writers might choose to use syllogism because:

• Using a syllogism can help make a logical argument sound indisputable, whether it's being used to illustrate a simple point or a complex one.
• Although syllogisms may seem somewhat tedious—since often they are just spelling out things that most people already know—it is helpful to clarify the terms and basic assumptions of an argument before proceeding with your main points.
• As shown in the Merchant of Veniceexample from above, even a false or poorly constructed syllogism can help make an ill-conceived argument sound airtight, since using the language and structure of logical argumentation can be very convincing even if the logic itself isn't sound.

Other Helpful Syllogism Resources

Definition Of Occasion In Writing

• The Wikipedia Page on Syllogism: A helpful, though technical resource if you want to learn more about the history of syllogisms, the many different types, and how the different ways they can be described using symbols.
• The Dictionary Definition of Syllogism:A basic definition, including a bit on the etymology: the root of the word is the Greek verb 'to infer.'
• To-the-point syllogism: An extremely to the point page on basic syllogisms and enthymeme.

Definition of Speaker

In writing, the speaker is the voice that speaks behind the scene. In fact, it is the narrative voice that speaks of a writer’s feelings or situation. It is not necessary that a poet is always the speaker, because sometimes he may be writing from a different perspective, or may be in the voice of another race, gender, or even a material object. It usually appears as a persona or voice in a poem. Read on to learn more about speaker in literature.

Examples of Speaker in Literature

Example #1: The Road Not Taken (by Robert Frost)

The speaker in Frost’s poem “The Road Not Taken” is a conflicted person, who does not tell anything about himself. However, the readers of this poem know that he is undergoing a big decision, that he has chosen a single path according to which he is directing his life, and this splits into two options ahead.

Falling leaves and yellow woods are metaphors for the speaker’s life, showing the downfall of his life. At this stage of life, it is not possible to return and make a new decision, because he knows the time is gone. The speaker is impulsive and adventurous, the reason that he has chosen the less traveled path. He is feeling a little regret, while his tone is also a bit sad.

Example #2: Ode to Nightingale (by John Keats)

In his poem “Ode to Nightingale,” the speaker is Keats himself. He has played with tricky language, which proved lucky for him. He has managed to persuade himself that he has moved to a new setting and completely new perspective. He must have been under huge pressure that he wanted to escape into fantasy and leave this world. In fact, he is feeling down in life as a whole, and readers recognize that, at this point, he would try to end it all.

However, readers are not convinced by his conversation about death – that it would be easy – and he himself does not seem to be convinced either. It all seems merely a show. The speaker also has displayed his knowledge of the Bible and the Greek myth in this tale. He has an active imagination, is well-read, and wants his readers to know it.

Example #3: Annabel Lee (by Edgar Allan Poe)

Occasions Meaning

The speaker in “Annabel Lee,” by Edgar Allan Poe, is the lover of Annabel Lee. The speaker seems to be engaging, charming, and someone whom a girl would meet and fall in love with right away. He is someone who would tell stories. As readers move on reading the poem, they start realizing that there is something wrong.

Meaning Of Occasion In Literature

The readers begin to feel the speaker will return to a particular subject, and would rage about something bad that may have happened to him. They notice a little sparkle in his eyes that makes readers a bit uncomfortable, because he fascinates them, and he cannot be ignored. Also, his voice has something powerful in it that draws the reader in.

Example #4: A Modest Proposal (by Jonathan Swift)

Occasion Definition English

In “A Modest Proposal,” Swift wants his readers to view the speaker as a reasonable and compassionate man that has a genuine interest in solving the problems and issues of the Irish people. In the first eight paragraphs, readers meet a kind and considerate man, who has keen insight into their troubles, which he will address shortly. In doing so, he moves from a rational approach to the problems, toward more sarcastic view.

Through his speaker, Swift suggests a solution to poverty that makes use of children of less fortunate and poor families as a food source. By expressing this idea through the speaker, the author uses sarcasm, exaggeration, and imagery to put into words his disgust for the Irish society. It is, in fact, Swift himself who speaks through the voice of a speaker. The role of Swift’s speaker is to give readers a glimpse of the underlying social problems in Ireland. This gets the point across, as well as challenges the readers to think about the plight of those less fortunate, rather than thinking only of themselves.

Function

Occasion In Literature Examples

The role of a speaker is one of the most important aspects in a written work. A speaker allows a more active voice, and plays the role of the mouthpiece in conveying the ideas of a writer or a poet to the audience. Just like actors, a speaker tells, or acts out directly, an account of what exactly occurs. It is found in different forms of writing, but is very common in poetry and novels.